Vivianne Holmberg is currently in her ninth season as a soloist at the Royal Opera in Stockholm. During the spring of 2019 Vivianne sang Donna Anna in Don Giovanni and during the spring of 2020 she will perform her first Susanna in Le Nozze di Figaro. Except these two fine Mozart roles Vivianne will also sing Mitzi in Der Ferne Klang and Birgitte in Iolanta.
Previous seasons Vivianne has been seen and heard in roles such as Nanetta in Falstaff, Pamina in Der Zauberflöte, Rosina in Il Barbiere di Siviglia, Atalanta in Xerxes, Oscar in Un Ballo in Maschera, Zerlina i Don Giovanni, Belinda i Dido och Aeneas, Woglinde in Das Rheingold and Second Niece in Peter Grimes.
Outside the Royal Opera, Vivianne has been seen at Dalhalla as Woglinde in Das Rheingold, at Läckö Slottsopera as Nanetta in Falstaff Malwina in Der Vampyr, and at Confidencen as Euridice in Glucks Orfeo, to mention just a few roles.
Vivianne Holmberg’s concert repertoire includes works such as The St John Passion by Bach, The Messiah by Händel, Requiem by Mozart, Brahms, and Rutter as well as Lars-Erik Larsson’s God in Disguise. In the summer of 2012 Vivianne performed a staged opera concert with music by Mozart at Drottningholms Slottsteater together with Peter Mattei.
Vivianne got her bachelors in opera at from the University College of Opera in Stockholm in 2011 and started as a soloist at the Royal Opera immediately following her education. During her college years, she could among other things be seen as Serpetta in Mozart’s La finta giardiniera and Despina in Così fan tutte at Drottningholms Slottsteater.
In 2010, Vivianne Holmberg received the Anders Wall scholarship and in 2015, she received the Håkan Mogrens scholarship.